And why not? This album of full of swirling, shimmering songs that kicks off the summer perfectly. It kicks off with the rushing, diving 'Jimmy Had a Polaroid', before the playful, coy 'We Make a Pair' makes a gentle dash for securing the place of first dance at every indiepop couple's wedding.
These two wonderful pop songs set the tone for the rest of the album, which is a much more rounded set of songs than could be found on the eponymous debut album. 'Trying to Say I Love You' sees Charles desperately trying to save a relationship, but failing because of shyness. And that's a theme;'Love or Loneliness', sees Charles singing about sticking with a relationship out of habit, rather than love. The song ends, cheekily, rather suddenly.
'Will You Still Love Me' is a much better version 'When I'm 64' and sounds like those A Smile and Ribbon songs that wowed us three or so years ago. But the real gem is 'The Internationale', which rather than being a rallying cry for international working class solidarity, seems to be berating a braggard that Charles is tiring off. Also, when he sings "nothing in particular he does his best Morrissey impression. Add in some Marr-ish guitar shapes and you've got a beautiful homage to The Smiths.
The album ends with a pop at the indie-than-thou ghetto dwellers called 'We're So DIY', which in parts reminds me of Shrag's 'Rabbit Kids', and namechecks Tullycraft. One for the trainspotters, ironically enough. It should be a single, anyway.
An album about relationships, then. Nothing particularly new there, but it's the way Math and Physics Club do it that makes the difference. Sweet and tender in places, but with a pop bite that kills me every time. The summer starts here.
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